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THE LONGEST SONG (part 2)
November 18, 2009 10:50 AM PST
Episodio.49....THE.LONGEST.SONG.(part.2) 01 Dire Straits - Telegraph road
Get it in emule net at 320 kb THE LONGEST SONG (part 1)
November 13, 2009 12:44 PM PST
Episodio.48...THE.LONGEST.SONG.(part.1) 01 Yes - Close to the edge
SHINE OF SNOW
November 08, 2009 02:26 AM PST
Episodio.47.....SHINE.OF.SNOW 01 Joe Hisaishi - The Moon
Available at 320 kb in emule net ESSENTIALS 04 - FRAGILE
November 01, 2009 01:23 AM PST
Episodio.46...FRAGILE.(YES) Fragile is the fourth album by the British progressive rock band Yes, released on Atlantic Records, catalogue 7211. It was the band's first album with keyboardist Rick Wakeman after the departure of Tony Kaye, and the first to feature cover art by Roger Dean, his work emblematic of both the band and progressive rock as a whole. Fragile was issued in the UK in November 1971, but was held back in North America for two months because of the chart momentum of The Yes Album. It peaked at #4 on the Billboard 200 during a stay of 46 weeks, and as Atlantic 2401 019 reached #7 in the UK album chart. Content. Work on the material began while Kaye was still in the band. In a 2006 interview, he said, "I did rehearse Fragile before I left. I left in the middle." Four of the nine tracks feature full performances by the new line-up with Wakeman, three of which were of eight minutes length or longer. Its best known track, "Roundabout," was released in the United States in an edited version as a single. Rick Wakeman contributed to the writing of "South Side of the Sky" and "Heart of the Sunrise" by adding piano interludes to both songs, but wasn't credited due to contractual conflicts. He was instead promised more money by Atlantic studio executives, which he claims he never saw. The remaining five tracks showcase the band members' individual talents. "Cans and Brahms" is an arrangement by Wakeman of the third movement from the Fourth Symphony in E minor by Johannes Brahms, his utilization of synthesizers adapted to classical works in vogue at the time, evidenced in efforts by Wendy Carlos and Isao Tomita. "We Have Heaven" is by Jon Anderson in which he sings all the vocal parts, a technique later used on his solo album Olias of Sunhillow. Bill Bruford's "Five Per Cent for Nothing" derives its instrumental passages from the rhythm line, while "The Fish" and "Mood for a Day" serve almost entirely as bass and guitar solo pieces for Chris Squire and Steve Howe, respectively. It has drawn comparison to Emerson, Lake and Palmer's Tarkus in that it consists of a series of semi-solo pieces and long epics concerning the whole band, but in both albums critics have complained that "the long pieces and short pieces never cohere, and the album becomes something of a jumble (Tony Gifford, Endless Enigma)." Recorded in September 1971 at Advision Studios in London, the album is an analog multi-track production. Standard multi-track methods were employed, such as overdubbing, including a flipping of the master tape to record the backwards piano, cued by Howe's guitar, for the beginning of "Roundabout." Artwork. The cover design by Roger Dean depicts a tiny planet on the front. On the back, the planet has begun to break up and the population is escaping in a wooden space glider - a concept that was to inspire Anderson's Olias of Sunhillow, as well as the film Floating Islands. The artwork of Yessongs is believed to continue the narrative. The LP's accompanying promotional booklet contains two additional Dean paintings; the front cover depicts five different creatures huddled under a root system; the back cover depicts a person climbing up a rock formation. The inside of the promotional booklet consists of several different photographs of the band members interspersed with smaller Dean illustrations and photographs of their wives, including Jenny Anderson and Nikki Squire, and children. On Wakeman's allotted page he features a photograph of his dog along with a list thanking everyone who helped further his musical career. Notably, he remarks "God Bless Brentford Football Club" (he now supports Manchester City F.C. after a dispute), along with "P.S. One future offspring." Reissues. A DVD-Audio version of the album was released on November 19, 2002, featuring Dolby Digital and DTS surround sound mixes among other additional features. The bonus track "America" features additional vocals in the last minute of the song which are not present in the 1972 release. It is currently out of print. On January 14, 2003, Elektra/Rhino released a remastered version for ordinary compact disc playback systems, with two bonus tracks and an essay by Bill Martin. On November 7, 2006, two audiophile remasters of the album were released: an Ultradisc II Gold CD version by the Mobile Fidelity Sound Lab, and a 180 gram vinyl LP version by Steve Hoffman, issued on Analogue Productions. Personnel. Jon Anderson - vocals
Track listing. - Side one
- Side two
- 2003 Reissue bonus tracks
Available at 320kb in emule net KILLING TIME
October 24, 2009 02:33 AM PDT
Episodio.45.....KILLING.TIME 01 Pat Metheny - Above the treetops
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October 17, 2009 04:36 AM PDT
Episodio.44.....AND.THE.BAND.PLAYED.ON ... 01 Ennio Morricone - Second Crisis
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October 12, 2009 03:57 AM PDT
Episodio.43...LOVE.AND.GLASS 01 Sean Connery - Prologue Highlander
Get it in emule net at 320 Kb GROWING
October 04, 2009 03:06 AM PDT
Episodio.42.......................................GROWING........... Tracklist is an idea by Alberto 01 Maria Taylor- Time Lapse Lifeline
Get it at 320Kb in emule net SIEMPRE LIBRES
September 26, 2009 05:17 AM PDT
Episodio.41...SIEMPRE.LIBRES Tracklist is an idea by Orlort 01 Manowar - Defender
Warning! Orlort threatens to give me a second list of his insanity NICE TO KNOW YOU
September 18, 2009 07:58 AM PDT
Episodio.40...NICE.TO.KNOW.YOU Tracklist is an idea by Julio 01 Incubus - Nice To Know You
LILAC WINE
September 08, 2009 08:57 AM PDT
Episodio.39....LILAC.WINE 01. Angelo Badalamenti - Albrecht
This session is available in emule net at 320kb EVERY ROSE HAS ITS THORN
August 21, 2009 10:36 AM PDT
Episodio.38...EVERY.ROSE.HAS.ITS.THORN 01 Janet Jackson - Interlude (Livin'...In Complete Darkness)
You can get all episodes in emule net. ESSENTIALS 03 - TOO OLD TO ROCK'N'ROLL: TOO YOUNG TO DIE!
July 25, 2009 03:16 AM PDT
Episodio.37...TOO.OLD.TO.ROCK'N'ROLL:.TOO.YOUNG.TO.DIE!.(JETHRO.TULL)
Too Old to Rock 'n' Roll: Too Young to Die! (1976) is a concept album released by British band Jethro Tull. This is the first Tull album to feature John Glascock on bass.
ORIGINS:
The idea for the album was to originally be a rock musical, similar to what the Kinks had been doing. It would follow an aging and retired rock star named Ray Lomas as he wins money on a decadent quiz show, but finds that society has changed so much that with no one left like him anymore, he has no way of enjoying his money the way he did in the 1950s. He then decides to commit suicide via motorcycle crash but fails and lands himself in a hospital coma for an undetermined amount of time.
When he awakes he discovers society has changed again, and his style of dress and music are now popular again. In, addition, the cosmetic surgery he is treated with after disfiguring his face in the crash makes him look twenty years younger. He has become an overnight sensation with the young kids who now try to dress and act like him.
However, much of this story is only explained in a cartoon strip included with the album. The actual score of the album does not follow the strip exactly, leaving out details or, in some cases, changing the plot.
Jethro Tull frontman Ian Anderson has always said this album was not meant to be autobiographical of him as an aging songwriter, since he was young at the time. He says the point of the album was to illustrate how his style of music may go out of popularity with every other fashion and fade, but he is determined that if he sticks to it, everything comes back around and the style will rise again.
TRACK LISTING:
(All songs written by Ian Anderson)
Side One
"Quizz Kid" – 5:09
"Crazed Institution" – 4:48
"Salamander" – 2:51
"Taxi Grab" – 3:54
"From A Dead Beat To An Old Greaser" – 4:09
Side Two
"Bad-Eyed 'N' Loveless" – 2:12
"Big Dipper" – 3:35
"Too Old to Rock And Roll, Too Young to Die" – 5:44
"Pied Piper" – 4:32
"The Chequered Flag (Dead Or Alive)" – 5:32
PERSONEL:
Ian Anderson - Vocals, acoustic guitar, flute, harmonica, occasional electric guitar and percussion
Martin Barre - electric guitar
John Evan - pianos
Barriemore Barlow - drums, percussion
John Glascock - bass guitar, Vocals
GUEST MUSICIANS:
David Palmer - tracks 5 & 11
Maddy Prior - backing vocals on track 8
Angela Allen - backing vocals on tracks 2 & 7
Orchestrations by David Palmer. Orchestra conducted by David Palmer.
ETHNICOLOR
July 25, 2009 02:52 AM PDT
Episodio.36...ETHNICOLOR This session is based on the album "Incantations" of Mike Oldfield.
When I was young I used to listen to songs like these. These were some of the songs broadcasted on the radio in those days. 01 Jeff Lynne - Nobody Home
THE BIG CONCERT
July 20, 2009 02:57 AM PDT
Episodio.35...THE.BIG.CONCERT 01 Marillion - Afraid of sunrise
You can get it in emule net at 320 Kb YOU WERE GOOD IN YOUR TIME
July 13, 2009 01:00 PM PDT
Episodio.34...YOU.WERE.GOOD.IN.YOUR.TIME 01 Michael Jackson - Childhood
He was an important part of the soundtrack of my youth.
WOODS
June 22, 2009 10:41 AM PDT
Episodio.33.......WOODS
Photo by Peppius WHITE AS SNOW
June 07, 2009 02:40 AM PDT
Episodio.32.WHITE.AS.SNOW
Photo by Virginia, "Moncayo" LUCHA DE GIGANTES
May 31, 2009 05:44 AM PDT
Episodio.31.LUCHA.DE.GIGANTES
for my daughter
WHILE THE EARTH SLEEPS
May 20, 2009 12:48 PM PDT
Episodio.30.WHILE.THE.EARTH.SLEEPS
You can get it in emule net at 320 Kb. SOMETIMES I FEEL LIKE A MOTHERLESS CHILD
May 12, 2009 12:13 PM PDT
Episodio.29.SOMETIMES.I.FEEL.LIKE.A.MOTHERLESS.CHILD
Get it in emule net at 320 Kb. ONCE UPON A TIME AT THE EAST OF WOOD ....
May 01, 2009 02:50 AM PDT
Episodio.28.ONCE.UPON.A.TIME.AT.THE.EAST.OF.WOOD .....
Clinton "Clint" Eastwood, Jr. (born May 31, 1930) is an American actor, film director, film producer and composer. He records jazz albums. He's made some soundtracks for his films: 2008 Gran Torino (Gran Torino)
Get it at 192 Kb in emule net DARKNESS
April 22, 2009 11:53 PM PDT
Episodio.27.DARKNESS
Get it at 320 Kb in emule net ESSENTIALS 02 - A TRICK OF THE TAIL
April 13, 2009 10:51 AM PDT
Episodio.26.A.TRICK.OF.THE.TAIL.(GENESIS) A Trick of the Tail is the seventh studio album by the progressive rock band Genesis and the first to feature Phil Collins as full-time lead vocalist following the departure of original vocalist Peter Gabriel. It was released in February 1976. The album was recorded and mixed at Trident Studios in October / November 1975. It also marked the first album that the band would co-produce with David Hentschel. They would work with David for the next four years. A Trick of the Tail reached #3 in the UK, remaining on the charts for 39 weeks, and #31 in the US. Additionally, the album was certified Gold in the US by the RIAA in March 1990. Also according to Tony Banks in the essay that comes with Platinum Collection, the album doubled the band's previous albums sales. This success was also financially crucial for Genesis who were $400,000 in debt by the time Peter Gabriel left. After Peter Gabriel left Genesis, the remaining members held auditions for a permanent lead singer, although some members (most notably Banks) considered continuing as an instrumental act, while most songs were written without knowledge as to how they would be sung. Initially, Phil Collins did not wish to take over from Gabriel, instead teaching the potential lead singers the songs. One of the 400 auditioners, Mick Strickland, came close, but the band and Strickland decided against working together in the end. According to the band members, the backing tracks for A Trick Of The Tail had already been recorded and were in a key in which Strickland was not comfortable singing. When the auditions failed to produce a suitable vocalist, Collins reluctantly went in the studio to sing "Squonk" and the band decided that Collins should be the new vocalist. For the first time in their career, Genesis filmed promotional videos for their songs. Three videos were filmed. Banks' "A Trick of the Tail" was the first, which featured the band playing to the track together around a piano. A miniature Phil Collins can be seen hopping around on a piano and a guitar (Collins later revealed that this video was the most embarrassing of his career). The second video was for the song "Ripples," which was a performance clip. The third was for "Robbery, Assault and Battery" which depicted Collins as a bank robber who shoots an elderly man (played by Mike Rutherford) after holding him up and is then pursued by cops (played by Banks, Hackett and Rutherford), shooting Banks in the process. Track listing Side one
Side two
Personnel Phil Collins – vocals, background vocals, percussion, drums
In August 1975 Peter Gabriel wrote this letter and delivered it personally to the English press. I had a dream, eye's dream. Then I had another dream with the body and soul of a rock star. When it didn't feel good I packed it in. Looking back for the musical and non-musical reasons, this is what I came up with: OUT, ANGELS OUT - an investigation. The vehicle we had built as a co-op to serve our songwriting became our master and had cooped us up inside the success we had wanted. It affected the attitudes and the spirit of the whole band. the music had not dried up and I still respect the other musicians, but our roles had set in hard. To get an idea through "Genesis the Big" meant shifting a lot more concrete than before. For any band, transferring the heart from idealistic enthusiasm to professionalism is a difficult operation. I believe the use of sound and visual images can be developed to do much more than we have done. But on a large scale t needs one clear and coherent direction, which our pseudo-democratic committee system could not provide. As an artist, I need to absorb a wide variety of experiences. It is difficult to respond to intuition and impulse within the long-term planning that the band needed. I felt I should look at/learn about/develop myself, my creative bits and pieces and pick up on a lot of work going on outside music. Even the hidden delights of vegetable growing and community living are beginning to reveal their secrets. I could not expect the band to tie in their schedules with my bondage to cabbages. The increase in money and power, if I had stayed, would have anchored me to the spotlights. It was important to me to give space to my family, which I wanted to hold together, and to liberate the daddy in me. Although I have seen and learnt a great deal in the last seven years, I found I had begun to look at things as the famous Gabriel, despite hiding my occupation whenever possible, hitching lifts, etc. I had begun to think in business terms; very useful for an often bitten once shy musician, but treating records and audiences as money was taking me away from them. When performing, there were less shivers up and down the spine. I believe the world has soon to go through a difficult period of changes. I'm excited by some of the areas coming through to the surface which seem to have been hidden away in people's minds. I want to explore and be prepared to be open and flexible enough to respond, not tied in to the old hierarchy. Much of my psyche's ambitions as "Gabriel archetypal rock star" have been fulfilled - a lot of the ego-gratification and the need to attract young ladies, perhaps the result of frequent rejection as "Gabriel acne-struck public school boy". However, I can still get off playing the star game once in a while. My future within music, if it exists, will be in as many situations as possible. It's good to see a growing number of artists breaking down the pigeonholes. This is the difference between the profitable, compartmentalized, battery chicken and the free-range. Why did the chicken cross the road anyway? There is no animosity between myself and the band or management. The decision had been made some time ago and we have talked about our new direction. The reason why my leaving was not announced earlier was because I had been asked to delay until they had found a replacement to plug up the hole. It is not impossible that some of them might work with me on other projects. The following guesswork has little in common with truth: Gabriel left Genesis To work in theatre.
I do not express myself adequately in interviews and I felt I owed it to the people who have put a lot of love and energy supporting the band to give an accurate picture of my reasons. So I ask that you print all or none of this. (Spanish) Carta de Despedida de Peter Gabriel En agosto de 1975 Peter Gabriel escribió esta carta de despedida y se la entregó personalmente a la prensa Inglesa: Tuve un sueño, sueño de ojos. Luego tuve otro sueño con el cuerpo y el alma de una estrella de rock. Cuando no me sentí bien, lo dejé. Recordando las razones musicales y no musicales, esto es lo que se me ocurrió: SALGAN, ANGELES SALGAN - una investigación. El móvil que habíamos construido como una cooperativa para asistirnos en la composición se convirtió en nuestro amo y nos encerró en el éxito que habíamos deseado. Afectó al espíritu y las actitudes de la banda entera. La música no se había secado y yo aún respetaba a los otros músicos, pero nuestros roles comenzaron a hacerse difíciles. Para hacerse una idea de "Genesis el Grande" significaba desplazar mucho más concreto que antes. Para cualquier banda, que transfigura su sentimiento del entusiasmo idealista al profesionalismo es una operación difícil. Creo que el uso del sonido y las imágenes visuales pueden ser desarrollados para hacer mucho más de lo que nosotros hemos hecho. Pero a mayor escala se necesita una dirección clara y coherente, la cual nuestro sistema de comité pseudo-democtrático no podía proveernos. Cómo artista, necesitaba absorber una gran variedad de experiencias. Es difícil responder a la intuición y el impulso dentro de los largos términos de planificación que la banda necesitaba. Sentí que debía observar/aprender al respecto/desarrollar yo mismo, mis trozos y partes creativas y recoger mucho trabajo que sucedía fuera de la música. Aún los placeres ocultos de los vegetales creciendo y de la comunidad viviente están comenzando a revelar sus secretos. Yo no podía esperar que la banda cierre su agenda con mi esclavitud de repollo. El incremento en dinero y poder, si lo aguantase, podría haberme anclado a los reflectores. Era importante para mí darle espacio a mi familia, la cual yo quería mantener unida, y liberar al padre que había en mi. Aunque había visto y aprendido un gran trato en los últimos siete años, encontré que tenía que comenzar a mirar a las cosas como el famoso Gabriel, a pesar de ocultar mi ocupación siempre que fuera posible, esquivando bultos, etc. Había comenzado a pensar en términos de negocios; muy útil para un habitual músico triste, pero tratar a los discos y a la audiencia como dinero comenzó a alejarme de ellos. Cuando actuábamos, había más escalofríos recorriéndome la espalda. Yo creo que el mundo pronto pasará por un difícil período de cambios. Estoy emocionado por algunas de las áreas que saldrán a la superficie las cuales parecen haber estado ocultas en la mente de la gente. Quiero explorar y estar preparado para ser abierto y flexible, lo suficiente para responder y no atarme a la vieja jerarquía. Parte de las ambiciones de mi psique como "Gabriel estrella de rock arquetípica" había sido realizada - mucha ego-gratificación y la necesidad de atraer a las jovencitas, tal vez como resultado de frecuentes rechazos como "Gabriel el niño loco de escuela pública con acne". Sin embargo, todavía puedo salirme de emprender el juego de estrella de vez en cuando. Mi futuro dentro de la música, si existe, será dentro de tantas situaciones como sea posible. Es bueno ver a un gran número de artistas derribar las casillas. Esta es la diferencia entre el provechoso, compartimentado, pollo de criadero y el libre-surtido. ¿Porque se cruzaron los pollos en el camino? No hay animosidad entre la banda o la dirección artística y yo. La decisión ha sido tomada hace algún tiempo y hemos hablado acerca de nuestra nueva dirección. La razón por la cual mi salida no había sido anunciada anteriormente fue porque me pidieron que esperara un tiempo hasta que ellos encontraran un reemplazante que llenara el hueco. No es imposible que algunos de ellos pudieran trabajar conmigo en otros proyectos. Las siguientes suposiciones tiene poco que ver con la verdad: Gabriel deja Genesis
HANGIN TREE
April 05, 2009 03:29 AM PDT
Episodio 25 - HANGIN TREE
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March 22, 2009 10:41 AM PDT
Episodio 24 - IT WORKS
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RAINY DAY
March 19, 2009 01:05 PM PDT
Episodio 23 - RAINY DAY
Search it in emule net (320K). AMARRADITOS
March 09, 2009 12:26 PM PDT
Episodio 22 - AMARRADITOS Dedicated to Robert James Pashman from "3rDegree" group. Everybody should listen to them. Amazing music. You can hear one of their songs in my last podcast (Episodio 21). Many thanks for your words Robert. ( http://www.3RDegreeONLINE.com ) 01 Mark Knopfler - Smooching
This episode is available in emule net searching "jrmusic Podcast - 22 Amarraditos (320).mp3" A SINGLE WHITE FEATHER
March 02, 2009 09:58 AM PST
Episodio 21 - A SINGLE WHITE FEATHER
This episode is available in emule net searching "jrmusic Podcast - 21 A single white feather (320).mp3" NEW CITIES IN ANCIENT LAND
February 20, 2009 06:33 AM PST
Episodio 20 - NEW CITIES IN ANCIENT LAND
This episode is available in emule net searching "jrmusic Podcast 20 - New cities in ancient land (320).mp3" THINK OF LAURA
January 31, 2009 03:26 AM PST
Episodio 19 - THINK OF LAURA
This episode is available in emule net searching "jrmusic Podcast - 19 Think of Laura (320).mp3" SANDCASTLES
January 23, 2009 12:26 PM PST
Episodio 18 - SANDCASTLES
This episode is available in emule net searching "jrmusic Podcast - 18 Sandcastles (320).mp3" THE NAVIGATOR
January 01, 2009 11:59 AM PST
Episodio 17 - THE NAVIGATOR
This episode is available in emule net searching "jrmusic Podcast - 17 The Navigator (320).mp3" ESSENTIALS 01 - BRAVE
December 23, 2008 12:25 PM PST
Episodio 16 - BRAVE (MARILLION) Brave was released in 1994. After trying and failing to reach a wider audience with Holidays in Eden, Marillion figured it was time to go back to their roots and make a more progressive rock-oriented album again. Brave is a concept album, based on a news story Steve Hogarth heard on the radio about a girl who was taken into police custody after being found wandering the Severn Bridge. She did not know who she was, where she came from and refused to even speak. This inspired Hogarth to write a fictional story about this girl and what might have led to her being on Severn Bridge in this state. The band relocated to Marouatte castle in France for the duration of the recording of Brave. The influence of these surroundings can be heard throughout the album in a lot of haunting atmospherics. They even went into a cave which lay in the nearby area and taped some cave sounds which were used as background ambiance on the album. This recording concept was later used by Radiohead for their OK Computer album, which was also (musically) greatly influenced by Brave. As engineer, they got Dave Meegan, who had previously worked with Marillion on Fugazi. As for EMI, they really wanted the band to do a "quick record" to gain some revenue, but this project would escalate and escalate. It took the band nine months to write and produce this album, partly because of Dave who would go through every single new tape made every day each night listening for any riff or melody which sounded good enough to be included in the songs. This hard and tedious work paid off in the end. Brave is regarded by many fans to be one of Marillion's best albums. It was, however, no public hit due to EMI's lack of promotion and the fact that it had no real single potential. However, three singles were released: The Great Escape. (February 1994), The Hollow Man (March 1994) and Alone Again In The Lap Of Luxury (April 1994). The 2-LP vinyl release of Brave features a double groove on the second side of disc 2. The first groove plays 'The Great Escape' as heard on the CD, followed by 'Made Again'; the second groove plays 'The Great Escape (Spiral Remake)' and 20 minutes of water noise. This provides 2 different endings to the album story, depending on where you drop the needle. Track listing
Side one
Side two
Side three
Side four
Current Lineup: Steve Hogarth (aka "h") - vocals and lyrics, additional keyboards, guitars, percussion
play it loud with the lights off This episode is available in emule & Ares net searching "jrmusic Podcast - 16 Essentials 01 - BRAVE (Marillion) (320)" POWDER BLUE
December 15, 2008 12:19 PM PST
Episodio 15 - POWDER BLUE
This episode is available in emule & Ares net searching "jrmusic Podcast - 15 Powder blue (320).mp3" HOLLYWOOD BLVD.
December 06, 2008 08:37 AM PST
Episodio 14 - HOLLYWOOD BLVD.
This episode is available in emule & Ares net searching "jrmusic Podcast - 14 Hollywood Blvd (320).mp3" ANGELS SING BARAJIL SONGS FOR ORLORT
November 27, 2008 10:44 AM PST
Episodio 13 - ANGELS SING BARAJIL SONGS FOR ORLORT
This episode is available in emule & Ares net searching "jrmusic Podcast - 13 Angels sing barajil songs for Orlort (320).mp3" MIDNIGHT LULLABY
November 20, 2008 12:39 PM PST
Episodio 12 - MIDNIGHT LULLABY
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November 14, 2008 08:49 AM PST
Episodio 11 - BLACK WATER
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November 07, 2008 08:30 AM PST
Episodio 10 - LIVERPOOL MEMORIES
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October 31, 2008 02:46 PM PDT
Episodio 9 - BLACKEST EYES
This episode is available in emule & Ares net searching "jrmusic Podcast - 09 Blackest Eyes (320).mp3" THE CHAMBER OF 32 DOORS
October 26, 2008 05:26 AM PDT
Episodio 8 - THE CHAMBER OF 32 DOORS
photo from "Genesis - The lamb lies down on Broadway" covers This episode is available in emule & Ares net searching "jrmusic Podcast - 08 The Chamber of 32 doors (320).mp3" THE EVENING SHADOWS
October 21, 2008 12:27 AM PDT
Episodio 7 - THE EVENING SHADOWS
"The Story of the Hare who Lost his Spectacles" This is the story of the hare who lost his spectacles.
This episode is available in emule & Ares net searching "jrmusic Podcast - 07 The evening shadows (320).mp3" SPANISH WORDS (part 1)
October 12, 2008 01:19 AM PDT
Episodio 6 - SPANISH WORDS (part 1)
This episode is available in emule & Ares net searching "jrmusic Podcast - 06 Spanish words (part 1) (320).mp3" LOVING THE ALIEN
October 05, 2008 08:42 AM PDT
Episodio 5 - LOVING THE ALIEN
This episode is available in emule & Ares net searching "jrmusic Podcast - 05 Loving the alien (320).mp3" SOME DAY
October 01, 2008 01:39 AM PDT
Episodio 4 - SOME DAY
This episode is available in emule & Ares net searching "jrmusic Podcast - 04 Some day (320).mp3" I AM THE SUN
September 26, 2008 01:17 PM PDT
Episodio 3 - I AM THE SUN
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September 20, 2008 10:47 PM PDT
Episodio 2 - OLDER THAN ME
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September 14, 2008 09:45 AM PDT
Episodio 1 - A DREAM WITHIN A DREAM
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Podcast SummaryProgressive rock, alternative, hard rock, funk, soul, pop and many more. A new "barajil" of songs every week.
You can get 320Kbps quality sessions by emule searching "jrmusic" word. ---------------------------------------------------------------- Rock Progresivo, alternativo, hard rock, funk, soul, pop y mucho más. Un nuevo barajil de canciones cada semana. Puedes conseguir las sesiones con calidad 320 Kbps buscando en emule la palabra "jrmusic". Fans of this Show
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